Chris Drohan

Chris is a sound designer and composer who has worked on a wide and varied range of productions across the country. Chris’ work has ranged from designing West End musicals to experimental binaural experiences. Alongside his sound design work, Chris also works as a composer having written for theatre productions, as well as short films and Radio work for the BBC.

Sound Design credits include: Chess (Leicester Curve); Twelfth Night (North Wall); Changing the Sheets,The Paradise Circus, and Harvey (Playground); The Throne (Charing Cross); Absurd Person Singular (UK Tour); Tales from the Vienna Woods (RADA); Meet Me at Dawn and Hoard (Arcola); Shida and Armour (Vaults); Boots (Bunker); New Nigerians, Ready Or Not, and The Lamellar Project (Arcola/UK Tour); Clockwork Canaries (Theatre Royal Plymouth); After the Ball and 9 to 5 (Gatehouse); All Or Nothing (West End); Knock Knock, and Counting Stars (Assembly Edinburgh); Thrown (Underbelly Edinburgh); Tenderly: The Rosemary Clooney Musical (Wimbledon Studio); What Shadows (Edinburgh Lyceum, Associate Sound Designer); The Mirror Never Lies (Cockpit); After Three Sisters (Jack Studio); Tonight at the Museum: Charlie Chaplin (Cinema Museum); Tis Pity (Tristan Bates); The Pursuit of Happiness (RADA Festival); Phoebe (Kings Head); The Marvellous Adventures of Mary Seacole (Edinburgh Festival); In The Gut (Blue Elephant); All Or Nothing (Vaults Theatre/UK Tour); Dr. Angelus, Don’t Smoke in Bed and The One Day of the Year (Finborough); Spring Awakening and Seussical (Chelsea Theatre); Resolution (The Space/Etcetera); The Drunken City (Tabard); Roaring Trade and Finders Keepers (Park); and Stitching (White Bear).